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Summerland, Polly Moller's
second album, was released on October 26, 1999. On it she offers a complete
otherworld experience of poetry and mystical avant-pop. Summerland
was recorded at Darwin Sound, Santa Cruz by William Walker, and mixed
by world music luminary Ashwin Batish at his own facility.
Polly continued her preoccupation
with all things Celtic ("Don Dorcha's Revel", "Gaoth Barra n'dTonn", "Blood
Sugar", "Pelen Tan", & "The Song of Coinchend Cennfada"), avant-garde
flutistry ("Black Rock Desert Rain"), mystical journeying ("Io", "Arboretum"),
and aircraft ("Aurora"). Her cover of Thomas Dolby's One of Our Submarines
was one of the first tracks to get airplay on college radio.
From playing nearly all of
the music herself on Taste the Wall,
Polly forged a solid partnership with bass guitarist Jordan Avon both
live and in the studio. Jordan plays all the bass lines on Summerland
and contributes distorted and mysterious backing vocals to "The Song of
Coinchend Cennfada". The move from analog to digital recording and working
with engineer/mixer William Walker of Darwin Sound, Santa Cruz, proved
successful.
Peter Hay of Twin Vision Promotions
did diligent work promoting Summerland to radio. It ended up appearing
on a few CMJ charts and garnered some very positive reviews.
Here's the Summerland
track listing:
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1. "Aurora"
the goddess
of the dawn returns as an angry hypersonic aircraft... (Lyrics)
The Aurora hypersonic
aircraft is terrifying in its power, they say...its presence is
announced by sonic booms that are distinctive in their signature
and that shake the bodies of humans who hear them. An angry being
intent on manifesting herself in the corporeal world might take
whatever form she could, maybe even an aircraft...the call sign
people have overheard on military frequencies is Dark Star.
One transmission was, Dark Star Sierra formation. I
thought Dark Star Sierra sounded more poetic than just
calling out for Dark Star. I know I didnt complete
the transmission...
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6. "Gaoth Barra
n'dTonn"
a lament...homesick
for the lovely landscape of Gaoth Barra in Donegal, sung in Irish
immediately after "one of our submarines"...
"I placed 'gaoth
barra n'dtonn' right after 'submarines' because I imagined someone
serving aboard the doomed sub singing a lament for the homeland
he'll never see again."
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2. "Don Dorcha's
Revel"
given
a choice of lords of the dance, we choose Don Dorcha... (Lyrics)
Like so many I
saw Riverdance and Lord of the Dance come
in quick succession, and I was inspired, not by Michael Flatleys
megalo-hero, but by his nemesis Don Dorcha played by Daire Nolan.
I watched as the good guys and the bad guys had their respective
parties, and I figured Id rather go to Don Dorchas party.
It was a lot more interesting and so was Don Dorcha!
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7. "Blood Sugar"
Deirdre
in exile... (Lyrics)
In Irish myth,
Deirdre is exiled to a lonely island with only her nurse and her
tutor for company. I felt all women could connect with her using
our memories of being teenagers.
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3. "Io"
a seeker
encounters a poet god, the man in red... (Lyrics)
In one of the Greek
tragedies Io climbs a mountain where Zeus and Hermes are. She wants
their help because shes been transformed into a cow, and she
says, I am Io the maiden, with horns upon my head. I
combine this scene with a dream I had many years ago about encountering
a god of poetry, a god of inspiration.
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8. "Arboretum"
a shape-shifting
journey... (Lyrics)
This is a shape-shifting
journey to the experience of a fish. The secluded pond in the San
Francisco Arboretum in Golden Gate park is a beautiful quiet place
and on the particular day when I visited and began writing this
poem, there was a solitary fish there, and his coloring and his
majesty and his personality really captivated me.
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4. "Black Rock
Desert Rain"
dedicated
to Jessica Melton, who helped name it along with her mom, Pam...
(Lyrics)
Ive been
playing this tune in my live shows for quite some years now. There
was a time when it didnt have a name, and I mentioned that
before I played it in a particular show, and after I was done a
student of mine, Jessica Melton, came up to me and said that she
and her mom believed I should call it Desert Rain.
For another few years that was its name until I connected it in
my mind with the characters and the headspace of the Burning Man
festival, and then I added Black Rock to the title.
But it is still dedicated to Jessica and her mom, Pam.
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9. "Pelen Tan"
the reconstructionist
Druid deepest blue light-globe... (Lyrics)
A pelen tan (fire
globe) is a modern tool for some flavors of Druidry. It is a globe
made of cobalt blue glass and its meant to contain a black
candle. When you light it, it symbolizes the Otherworld. Some believe
several of them should be hung in trees to mark the grove for a
meeting of Druids. I have three of my own and they are some of my
most prized possessions.
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5. "One of Our
Submarines"
the venerable
tune by Thomas Dolby
One of
Our Submarines is by Thomas Dolby whom I admire greatly and
Ive had such a blast recording his tune and playing it live.
That song and the traditional Irish one, Gaoth Barra ndTonn,
have become connected in my mind because I envision a situation
where, on board the vessel thats run aground, a sailor from
County Donegal comes to the realization that he will never see home
again and he sings a lament with his final breaths of air. And on
the shore back home, a woman comes out to the waters edge
to sing it, sympathetically because on some level she knows she
wont see him again.
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10. "The Song
of Coinchend Cennfada"
Long Head
of Dog Heads, the war chieftain and queen of the saga of Art McConn...
(Lyrics)
Hear the entire song
at MP3.com by clicking here.
Coinchend Cennfada
was a warrior queen in the saga of Art McConn. She ruled over the
Dog Head tribe, and her name means long head of dog heads.
She is portrayed as a villain in the saga, but Ive written
a song from her point of view as Art McConn approaches, emblematic
of the end of the old ways.
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